Social Consequences I: Segregation, Encroaching Barricade, Entangled, Endangered Species, Rationed Measures, Intertwined, 2009 - 2010
On loan to the exhibition To Dig a Hole That Collapses Again at the Museum of Contemporary Art Chigago, United States of America
Curated by: Omar Kholeif
Born in Nigeria and now based in Antwerp, Otobong Nkanga explores the contested social and political histories of colonialism, with a particular focus on the relationship between Africa and the Western world. She does this through performance, drawing, photography, and installation—examining how raw minerals are transported through various covert economies and how they are transformed into desirable consumer objects.
Nkanga is fascinated with what she has referred to as glimmer and shine, the surface qualities of natural resources such as mica, a mineral that is used in makeup and turned into an object of seduction. This interest has led the artist far and wide, studying the intense mining of the world’s natural resources since the rise of late capitalism. One of the primary means by which the artist’s interest manifests is through the body. In Nkanga’s works on paper and her tapestries, the body becomes a border implicated within the field of mining.
Nkanga acts as a cultural anthropologist—tracing the violent means by which contested minerals and objects are exhumed from their natural environments, such as Nigeria and Namibia—and considers how they are transported to the West. Through her work, the artist re-imagines our relationship to our everyday environment.